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dc.contributor.authorDonmez, Elif
dc.date.accessioned2021-12-10T11:34:09Z
dc.date.available2021-12-10T11:34:09Z
dc.date.issued2018
dc.identifier.citationDonmez E., "Let's Make it American: American Remakes of the British Films", CINEJ CINEMA JOURNAL, cilt.7, sa.1, ss.238-261, 2018
dc.identifier.othervv_1032021
dc.identifier.otherav_86256a8c-5c01-4ce9-b618-21a89422b5c7
dc.identifier.urihttp://hdl.handle.net/20.500.12627/172152
dc.identifier.urihttps://avesis.istanbul.edu.tr/api/publication/86256a8c-5c01-4ce9-b618-21a89422b5c7/file
dc.identifier.urihttps://doi.org/10.5195/cinej.2018.221
dc.description.abstractThe purpose of this study is to analyze American remake versions of the original British films taking narrative as a basis. It claims that the American remakes put America forward as a cultural product for sale, and makes the British narrative Americanized. For the study, two sets of film remakes have been chosen for analysis: Altie (1966, dir. Lewis Gilbert), Attie (2004, dir. Charles Shyer), Bedazzled (1967, dir. Stanley Doren), Bedazzled (2000, dir. Harold Ramis). This study explores the narrative elements of the American remakes by comparing the remakes with their originals. These narrative elements are setting, intertextuality and Americanization.
dc.language.isoeng
dc.subjectSocial Sciences & Humanities
dc.subjectSosyoloji
dc.subjectGeneral Social Sciences
dc.subjectKitle İletişimi ve Araçları
dc.subjectRadyo, Sinema ve Televizyon
dc.subjectSosyal ve Beşeri Bilimler
dc.subjectSosyal Bilimler (SOC)
dc.subjectSosyal Bilimler Genel
dc.subjectFİLM, RADYO, TELEVİZYON
dc.titleLet's Make it American: American Remakes of the British Films
dc.typeMakale
dc.relation.journalCINEJ CINEMA JOURNAL
dc.contributor.departmentİstanbul Arel Üniversitesi , ,
dc.identifier.volume7
dc.identifier.issue1
dc.identifier.startpage238
dc.identifier.endpage261
dc.contributor.firstauthorID2758599


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