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dc.contributor.authorDikencik, Muge Caroline
dc.contributor.authorBal, Zeynep Ekin
dc.date.accessioned2021-03-03T07:34:53Z
dc.date.available2021-03-03T07:34:53Z
dc.identifier.citationBal Z. E. , Dikencik M. C. , "The Dark Knight and the Ideology Behind", 1st World Conference on Psychology and Sociology (PSYSOC), Antalya, Türkiye, 27 Kasım - 01 Aralık 2012, cilt.82, ss.580-584
dc.identifier.othervv_1032021
dc.identifier.otherav_12b2bae1-2239-45f2-a7c7-bc2b457d9d62
dc.identifier.urihttp://hdl.handle.net/20.500.12627/18016
dc.identifier.urihttps://doi.org/10.1016/j.sbspro.2013.06.313
dc.description.abstractEntertainment itself is political because evaluating any kind of entertainment without considering the ideological context that it is created within can cause false interpretations. Cinema is the kind of entertainment that is the topic of this presentation. Briefly defined, cinema is the artistic enterprise that utilizes the moving images, it is a visual media that reflects reality, tells stories using realistic fiction or fantastic elements. (C) 2013 The Authors. Published by Elsevier Ltd.
dc.language.isoeng
dc.subjectSosyal ve Beşeri Bilimler
dc.subjectSosyoloji
dc.subjectGenel Sosyoloji ve Metedoloji
dc.subjectTemel Bilimler (SCI)
dc.subjectSOSYOLOJİ
dc.subjectSosyal Bilimler Genel
dc.subjectSosyal Bilimler (SOC)
dc.subjectPsikoloji
dc.subjectPSİKOLOJİ, MULTİDİSİPLİNER
dc.titleThe Dark Knight and the Ideology Behind
dc.typeBildiri
dc.contributor.departmentMaltepe Üniversitesi , ,
dc.identifier.volume82
dc.contributor.firstauthorID93163


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