Passion for the Real Through Snuff Film in Bret Easton Ellis's American Psycho

Sinem Yazıcıoğlu

dc.contributor.author	Sinem Yazıcıoğlu
dc.date	2011
dc.date.accessioned	2020-06-18T21:10:54Z
dc.date.available	2020-06-18T21:10:54Z
dc.date.issued	2011
dc.identifier.citation	YAZICIOĞLU, Sinem. "Passion for the Real Through Snuff Film in Bret Easton Ellis's American Psycho." BRITISH AND AMERICAN STUDIES , vol.XVII, pp.61-68, 2011	tr_TR
dc.identifier.uri	http://hdl.handle.net/20.500.12627/631
dc.description.abstract	Alain Badiou defines the twentieth century in terms of "the passion for the real". The aim of this paper is to discuss how the term is materialized through the use of snuff film in Bret Easton Ellis's American Psycho, and how scoff film functions as a narrative apparatus in the novel.	tr_TR
dc.language.iso	eng	tr_TR
dc.publisher	University of Timişoara	tr_TR
dc.rights	info:eu-repo/semantics/openAccess	tr_TR
dc.rights	Attribution-NonCommercial-NoDerivs 3.0 United States	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/us/	*
dc.subject	blank fiction, narrative, snuff, violence	tr_TR
dc.title	Passion for the Real Through Snuff Film in Bret Easton Ellis's American Psycho	tr_TR
dc.type	article	tr_TR
dc.relation.journal	B.A.S. British and American Studies	tr_TR
dc.contributor.department	İstanbul Edebiyat Fakültesi, Batı Dilleri ve Edebiyatları Bölümü, Amerikan Kültürü ve Edebiyatı Ana Bilim Dalı	tr_TR
dc.contributor.authorID	orcid.org/0000-0003-4092-3152	tr_TR
dc.identifier.volume	XVII	tr_TR
dc.identifier.issue	17	tr_TR
dc.identifier.startpage	61	tr_TR
dc.identifier.endpage	68	tr_TR