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dc.contributor.authorSinem Yazıcıoğlu
dc.date2011
dc.date.accessioned2020-06-18T21:10:54Z
dc.date.available2020-06-18T21:10:54Z
dc.date.issued2011
dc.identifier.citationYAZICIOĞLU, Sinem. "Passion for the Real Through Snuff Film in Bret Easton Ellis's American Psycho." BRITISH AND AMERICAN STUDIES , vol.XVII, pp.61-68, 2011tr_TR
dc.identifier.urihttp://hdl.handle.net/20.500.12627/631
dc.description.abstractAlain Badiou defines the twentieth century in terms of "the passion for the real". The aim of this paper is to discuss how the term is materialized through the use of snuff film in Bret Easton Ellis's American Psycho, and how scoff film functions as a narrative apparatus in the novel.tr_TR
dc.language.isoengtr_TR
dc.publisherUniversity of Timişoaratr_TR
dc.rightsinfo:eu-repo/semantics/openAccesstr_TR
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectblank fiction, narrative, snuff, violencetr_TR
dc.titlePassion for the Real Through Snuff Film in Bret Easton Ellis's American Psychotr_TR
dc.typearticletr_TR
dc.relation.journalB.A.S. British and American Studiestr_TR
dc.contributor.departmentİstanbul Edebiyat Fakültesi, Batı Dilleri ve Edebiyatları Bölümü, Amerikan Kültürü ve Edebiyatı Ana Bilim Dalıtr_TR
dc.contributor.authorIDorcid.org/0000-0003-4092-3152tr_TR
dc.identifier.volumeXVIItr_TR
dc.identifier.issue17tr_TR
dc.identifier.startpage61tr_TR
dc.identifier.endpage68tr_TR


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