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dc.contributor.authorElci, Armağan
dc.date.accessioned2021-03-02T21:18:39Z
dc.date.available2021-03-02T21:18:39Z
dc.date.issued2011
dc.identifier.citationElci A., "Oral and Musical Variation: The Transformations of Mani in Turku", MILLI FOLKLOR, sa.91, ss.130-139, 2011
dc.identifier.issn1300-3984
dc.identifier.othervv_1032021
dc.identifier.otherav_0640d835-fe84-4b87-bfd6-dc4971beafea
dc.identifier.urihttp://hdl.handle.net/20.500.12627/10075
dc.description.abstractPerformance and oral formulaic theorists put forward to meaningless of searching for the 'unique' and "fixed" texts in oral culture and they support it through different works. With oicotype concept, Von Sydow highlights the localization of narrations according to regional features. In this way, he brings forward that every narration reshape when they settle into a place. Text-based studies reveal the word changes in the narrations; however studies about differences and changes in music accompanying narrations are not sufficient. In this article, firstly word changes in mani which generally told without instrument in oral tradition will be evaluated. Then musical changes and differences in turkus which contain mani will be discussed.
dc.language.isoeng
dc.subjectSosyal ve Beşeri Bilimler
dc.subjectSosyoloji
dc.subjectHalkbilimi (Folklor)
dc.subjectSosyal Bilimler (SOC)
dc.subjectSosyal Bilimler Genel
dc.subjectFOLKLOR
dc.titleOral and Musical Variation: The Transformations of Mani in Turku
dc.typeMakale
dc.relation.journalMILLI FOLKLOR
dc.contributor.departmentGazi Üniversitesi , Edebiyat Fakültesi , Türk Halkbilimi
dc.identifier.issue91
dc.identifier.startpage130
dc.identifier.endpage139
dc.contributor.firstauthorID2207388


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