dc.contributor.author | Güngör, Mesut | |
dc.contributor.author | Yarman, Ozan Uğraş | |
dc.date.accessioned | 2021-03-02T16:05:47Z | |
dc.date.available | 2021-03-02T16:05:47Z | |
dc.date.issued | 2020 | |
dc.identifier.citation | Yarman O. U. , Güngör M., "24-tone HTML5 Makam Piano for Turkish Art music", PJSE: Parana Journal of Science and Education, cilt.6, ss.116-126, 2020 | |
dc.identifier.other | vv_1032021 | |
dc.identifier.other | av_d9656447-ae18-4eda-ae5a-a236c4d24a8c | |
dc.identifier.uri | http://hdl.handle.net/20.500.12627/2280 | |
dc.identifier.uri | http://tiny.cc/PJSE24476153v6i9p116-126 | |
dc.description.abstract | Latest HTML5 with JavaScript
developments have stimulated a profusion of musical web-applications to
emerge on the scene in the past couple of years. Firefox and Chrome
browser support for them too has currently reached a comparatively
stable level. Yet, these are mainly fashioned to appeal to a
Western(ized) audience accustomed to the "12 semitones to the octave"
methodology of common-practice music. We, on the other hand, present
herein a microtonal HTML5 Piano design for Turkish Art music drawing
from the extensively revamped open source code named "JS Dynamic Audio
Synth (© 2013)". Two tunings are directly implemented at the moment: The
first is the conventional 24-toneArel-Ezgi-Uzdileksystem officially
in force across Turkey; the second is a custom tone-system of identical
resolution dubbedYarman- 24cand devised by the corresponding author as
a substitute. Our design features highlighted hover & play, dynamic
perdelabeling, incremental transposition, maximal keystroke
constrained polyphonic playback, and custom frequency data paste/apply
capabilities. Subsequent implementations by developers might enhance our
design with a glissando & vibrato effect, organ sound sustain,
external synth patch load, and melody recording. Additionally, a test
process to gather online statistics from visitors on their perceived
success of how well the tunings render an assortment of well-knownmakam
pieces could perhaps be considered in the future. We envision that
our24-tone Makam Piano (v1.2)will be quite useful as a music theory
web resource and possibly inspire similar upcoming microtonal HTML5
designs.AMS 2020 Subject Classification: 00A65, 97U80, 94A29, 90-10 | |
dc.language.iso | eng | |
dc.subject | Sanat | |
dc.subject | Müzik | |
dc.subject | Duysal Tasarım | |
dc.subject | Museology | |
dc.subject | Music | |
dc.subject | Visual Arts and Performing Arts | |
dc.subject | Social Sciences & Humanities | |
dc.subject | SANAT | |
dc.subject | Sosyal ve Beşeri Bilimler | |
dc.subject | MÜZİK | |
dc.subject | Sanat ve Beşeri Bilimler | |
dc.subject | Sosyal Bilimler (SOC) | |
dc.subject | Sanat ve Beşeri Bilimler (AHCI) | |
dc.title | 24-tone HTML5 Makam Piano for Turkish Art music | |
dc.type | Makale | |
dc.relation.journal | PJSE: Parana Journal of Science and Education | |
dc.contributor.department | İstanbul Üniversitesi , Devlet Konservatuvarı , Müzikoloji Bölümü | |
dc.identifier.volume | 6 | |
dc.identifier.issue | 9 | |
dc.identifier.startpage | 116 | |
dc.identifier.endpage | 126 | |
dc.contributor.firstauthorID | 2511735 | |