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dc.contributor.authorYazıcıoğlu, Sinem
dc.date2020
dc.date.accessioned2020-04-24T16:05:39Z
dc.date.available2020-04-24T16:05:39Z
dc.date.issued2020-04
dc.identifier.citationYazıcıoğlu, S. (2020). "“This Bloomin’ Country’s A Fraud”: Musical Commodification and Westward Expansion in Sharon Pollock’s Walsh" Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, sayı 39, Denizli, s. 293-306.tr_TR
dc.identifier.urihttp://hdl.handle.net/20.500.12627/479
dc.description.abstractCanadian playwright Sharon Pollock’s Walsh (1973) revisits the aftermath of the Battle of Little Big Horn (1876) when Sitting Bull led the Sioux to cross the Canadian border for seeking refuge, befriended Major John Walsh of the North West Mounted Police and yet was forced to surrender to the American forces despite diplomatic exchanges. Since the play roughly coincides with the centennial celebrations in Canada and marks a renewed interest in Canadian drama for national topics, it has been studied in terms of its critical perspective to official historiography and its metadramatic treatment of the mentioned historical events. However, less scholarly attention has been spared to the use of songs in the play. Prioritizing the song form in its musical structure, Walsh integrates the history of westward expansion with the emerging economy and technology of music, resulting in the commodification of music at the turn of the twentieth century.tr_TR
dc.language.isoengtr_TR
dc.publisherPamukkale Üniversitesitr_TR
dc.relation.isversionof10.30794/pausbed.672731tr_TR
dc.rightsinfo:eu-repo/semantics/openAccesstr_TR
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectSharon Pollock, Walsh, Historiographic metadrama, Song form, Musical commodificationtr_TR
dc.title“This Bloomin’ Country’s A Fraud”: Musical Commodification and Westward Expansion in Sharon Pollock’s Walshtr_TR
dc.typearticletr_TR
dc.relation.journalPamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisitr_TR
dc.contributor.departmentİstanbul Edebiyat Fakültesi, Batı Dilleri ve Edebiyatları Bölümü, Amerikan Kültürü ve Edebiyatı Ana Bilim Dalıtr_TR
dc.contributor.authorIDorcid.org/0000-0003-4092-3152tr_TR
dc.identifier.issue39tr_TR
dc.identifier.startpage293tr_TR
dc.identifier.endpage306tr_TR


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