| dc.contributor.author | Genc, Kaya | |
| dc.date.accessioned | 2021-03-03T18:45:05Z | |
| dc.date.available | 2021-03-03T18:45:05Z | |
| dc.date.issued | 2011 | |
| dc.identifier.citation | Genc K., "SKETCHES OF DISSENT", INDEX ON CENSORSHIP, cilt.40, sa.3, ss.135-147, 2011 | |
| dc.identifier.issn | 0306-4220 | |
| dc.identifier.other | vv_1032021 | |
| dc.identifier.other | av_50c867a7-21cf-41ba-933c-e6dc170f9b74 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.12627/57488 | |
| dc.identifier.uri | https://doi.org/10.1177/0306422011418164 | |
| dc.description.abstract | Artists in Turkey may face prosecution and even violence, but the contemporary scene is thriving. Kaya Gen double dagger talks to two generations of iconoclasts. | |
| dc.language.iso | eng | |
| dc.subject | Sosyal ve Beşeri Bilimler | |
| dc.subject | Sanat ve Beşeri Bilimler (AHCI) | |
| dc.subject | Sanat ve Beşeri Bilimler | |
| dc.subject | Müzecilik | |
| dc.subject | İNSANLAR, MULTİDİSİPLİNER | |
| dc.title | SKETCHES OF DISSENT | |
| dc.type | Makale | |
| dc.relation.journal | INDEX ON CENSORSHIP | |
| dc.contributor.department | , , | |
| dc.identifier.volume | 40 | |
| dc.identifier.issue | 3 | |
| dc.identifier.startpage | 135 | |
| dc.identifier.endpage | 147 | |
| dc.contributor.firstauthorID | 201577 | |
